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Der Freischütz

Carl Maria von Weber 

A seminal work of German romanticism in which the supernatural and magic call the shots. 

Photo de Charles Castronovo - Droits réservés
Charles Castronovo - Droits réservés
Photo de Golda Schultz © Dario Acosta
Golda Schultz © Dario Acosta
Photo de Antonello Manacorda © Nicolaj Lund
Antonello Manacorda © Nicolaj Lund

Charles Castronovo | Max
Golda Schultz | Agathe
Kyle Ketelsen | Kaspar / Samiel
Nikola Hillebrand | Ännchen
Jongmin Park | Kuno / Hermit
Milan Siljanov | Kilian
Sebastian Wartig  | Ottokar

Antonello Manacorda | direction
Kammerakademie Potsdam RIAS Kammerchor 

Selling one’s soul to the devil, summoning up spirits, and magic bullets are all part of the fantastical world of the first German opera composed by Carl Maria von Weber in 1821. This lyrical drama owes a large debt to Beethoven’s Fidelio and prefigures Tannhäuser by Wagner. It introduces the symbolic world of German romantic opera which would peak fifty years later with Richard Wagner’s tetralogy.

Production Théâtre des Champs-Elysées